ALBUM REVIEW: The Crazy EP by CorEsha

Ginger Patterson is without question, one of the strongest recording artists in Twin Cities.  A gifted throwback to the smooth fire and hard grit of true, old-school soul music. Patterson truly stands in a class pretty much by herself. Which makes it a curious occurrence that she has taken under her wing at Midwest Magic Productions the pedestrian talent CorEsha, possessed of bright but emotionless vocals singing weak lyrics to run-of-the-mill melodies.  The Crazy EP produced by Patterson, co-produced with her son, William Patterson, has material mostly written by CorEsha and him. Continue Reading

Gypsy Lumberjacks CD release at the Cabooze

Saturday night, the Gypsy Lumberjacks brought a lot of world beat to the Cabooze to introduce their latest CD, Giants of America. There’s a definite grounding of America in the world beat, but their music doesn’t stay grounded. Battles of the Frontiers has a local flavor. It’s mellow, with folk-friendly harmonies. It’s easy to listen to. Continue Reading

Musings of Soundset Musicians

The Twin Cities Daily Planet’s Clara Wang spent some time in the backstage tent hobnobbing with many of the Soundset artists to get exclusive interviews. Enjoy… Manny Phesto

Your last album, “Southside Looking In,” was very connected to your neighborhood, very connected to your roots. How has growing up on the South Side of Minneapolis influenced your music? “I think it’s influenced it a lot. Continue Reading

Soundset 2015 at Canterbury Park

The gates of Canterbury Park opened at 11am sharp to hordes of eager hip-hop fans. The Soundset Music Festival is an exclusively hip-hop music festival created by local music label Rhymesayers eight years ago, an affordable event that draws nationally acclaimed talents as well as local acts. The Rhymesayers event is unique in its focus on urban music and great bargain price (this year it’s $50-$70 for a lineup of the likes of Ludacris, J. Cole, Ice Cube, and Big Sean, just to name a few).

This year, performances were unofficially baptized by Amir Sulaiman’s opening delivery of “Come to the Hills,” a poignant spoken word addressing race, economics, politics, and police brutality. In the Fifth Element tent, Minneapolis rapper Manny Phesto proved that soulful samples can rock a crowd too, spitting conscious fire over signature soul beats. Producer Mike the Martyr joined him onstage for “The Account,” a track from Manny’s last album, “South Side Looking In.”

Doomtree member Dessa was another local act that shook crowds, performing tracks from their new album “All Hands” as well as songs from her recently dropped solo album. In intervals singing, chanting, and rapping, she hypnotized the crowd with folksy metal and plenty of intense eye contact. Vince Staples was a Molotov cocktail in Timberlands, spitting singles from his last EP. Soundset 2015 was packed with many strong newcomers, from deM Atlas to Father, and Vince had the crowd ready to explode in a fiery performance on the Fifth Element stage. Continue Reading

Real Phonic Radio season finale with Jim Oblon, Stevie Ann and Erik Koskinen

Last Thursday night at the James J Hill Reference Library, the Real Phonic Radio hour closed out another season of monthly music and art shows for a summer hiatus. The season ended on a rocking note with headliner Jim Oblon. Up from Nashville, Oblon is a singer, song writer and guitar player who pays homage to his roots by playing them not with nostalgia but with currency and passion. He played Nat King Cole, Little Richard, Muddy Waters and a Roy Buchanan version of Patsy Cline. There’s a music lesson onto itself. Continue Reading

Fashawn and Prof rock First Avenue at the official Soundset before party bash

First Avenue was packed on Saturday night with a lively pre-Soundset bash.  DJ Fundo, Blvck Spvce, Bobby can rap, Fashawn, and Prof provided the jams at the official Rhymesayers Soundset Before Party. DJ Fundo hosted the night and kicked a diverse mix of old and new school, from vintage A Tribe Called Quest to Bobby Shmurda. The crow warmed up to the alternating boom of 808s and trap snares. By the time he got to spinning some Snoop Dogg, the audience was ready to fill in words, and Flo Rida took the teens up with “Turn Down For What.” The venue filled up quickly, an even split of twerking youths and more somber adults, who mostly managed a respectably enthused head bop. Continue Reading

MUSIC REVIEW | Gypsies invade Mankato for “Kiss Me, Kate”

Minnesota Opera’s Carmen may have closed, but its gypsy cast – the titular zingara included – appeared to be alive and well on Sunday, when four of the principles appeared in the Mankato Symphony Orchestra’s concert performance of the musical Kiss Me, Kate. Unlike their last onstage appearances, there were no stabbings involved and hippie chic was nowhere to be seen. The general mood of Sunday’s concert was pleasant and amiable: an afternoon idle to enjoy some excellent music with a full orchestra. Kenneth Freed led the orchestra with from the podium, while the spotlight fell alternately on Bergen Baker (Mercédès in the previously mentioned production), Brad Benoit (Le Remendado), Rodolfo Nieto (technically not present at said production, but who’s to quibble about an extra barihunk?), and Victoria Vargas (one of the Carmens). Technically, each member of this quartet sang a character in this abbreviated version of Kiss Me, Kate, but none of those details matter nearly so much as the basic recipe of classically trained singer + live orchestra + fun musical theater songs. Continue Reading

MUSIC REVIEW | New Kids on the Block at the Xcel

On the surface, one would not think there would be a lot of overlap between fans of Nelly, TLC, and New Kids on the Block. While all three are essentially a sort of danceable ’90s pop, there’s something about the mental image each group conveys that makes it difficult to put them together. Take that gritty, sexy, maybe a little vulgar, club sound from Nelly, mix it up with the smooth almost R&Bish sound of TLC, and throw in the, well, straight pop sound of the prototypical boy band that inspired all those knock-offs in the ’90s, and you’d seem to be on the right track to make about the most indigestible musical smoothie you could ever fix up. Really, the only common thread I can think off for all of this is “songs I had to listen to on the school bus growing up because the driver wouldn’t change the station from KDWB.”

But given the audience reaction throughout the evening, this trio of 90s superstars (for the sake of ease we’ll lump them in there, even though NKOTB had a bit of the ’80s in, too) were a perfect match. The crowd was electric all night for this eclectic mix of talent, which delivered a very, very good show last night at Xcel Energy Center. Continue Reading

MUSIC REVIEW | Joyce DiDonato dazzles, entrances at Ordway

The Schubert Club closed out the 2014-2015 run of of its International Artist Series with some good news and a bang. The good news was that, despite reports to the contrary, classical music is alive and well in some quarters: ticket sales for this five-concert series hit a new record for the Schubert Club. The bang was a sterling performance by mezzo-soprano Joyce DiDonato. DiDonato is one of classical music’s preeminent stars, an opera singer who fills houses and attracts a dynamic fan base that cuts across age groups. Her performances are renown not just for her vocal beauty and skill, but also for her acting and character portrayal. Where, then, to begin with describing Tuesday’s recital? Continue Reading

MUSIC REVIEW | Chicago at the State Theatre

Chicago came into the State Theatre on May 19 loaded to the teeth with a full catalogue of hits and classics that span over 40 years, and they unleashed a wide variety of those hits, from the funky and jazzy to the slow jams and ballads, upon a largely energetic and enthusiastic audience. Right from the get-go, trombonist James Pankow, one of four founding members of the act still with the band, was into the show, moving with a swagger and energy that maybe one wouldn’t expect from the guy who is rocking the trombone. … Wait, did you expect me to say a man his age? Oh no, let me tell you, there was no sign of age on Pankow, nor really any sign of age or rust on this lot. Continue Reading