The fourth annual Northeast Ride ran on Saturday June 13. The Ride ,organized by the Northeast Community Development Corporation, took bicyclists on a route that visited many Northeast neighborhoods on streets and off-road trails. The event was put on with the help of volunteers representing many Northeast businesses and organizations. The ride ended with an after-party at Indeed Brewing and music by the bicycle-powered band The Eclectic Ensemble. Continue Reading
In a 10- 3 vote, Minneapolis city council members decided to move forward with acquiring the former Roof Depot site for a city owned water treatment facility, despite neighborhood opposition. Council members Johnson, Gordon and Cano voted against it. Members of the Phillips community, where the site would be located, say the proposed facility is yet another industrial site in a neighborhood plagued with pollution and environmental justice concerns. See the story in Monday’s Daily Planet for more background. There was a brief discussion about adopting an amendment put forth by ward nine council member Alondra Cano, which would have required city staff and departments to work with community members when developing the site. Continue Reading
We live in a society that manages to be obsessed with sex and deeply repressed about sex at the same time. Sex becomes another commodity titillate to and sell things but conversations about our real sexualities are all too rare. And, if you are over fifty your sexuality is not really a subject at all, unless as a joke. Enter Pangea World Theater once again pushing theater into the spaces unseen, unrecognized, under represented. No Expiration Date: Sexuality & Aging is a theatrical interpretation of the qualitative data from a study conducted by Drs. Continue Reading
When Twin Cities-based artist Osama Esid first arrived at the Adana camp in Turkey to take photos of Syrian refugees, he was told he’d have a mere 45 minutes inside. He says he begged for more time to be able to meet the residents, gain their trust and hopefully take some photos. He recalls how, once inside the camp, a Mr. Souleyman invited him to dinner. Before the meal was served, Esid asked to take a photo of Souleyman’s empty tent – not the people, not the food, just the tent. He explained his project, saying he wanted to be able to take that tent outside the camp, to photograph others inside it anywhere in the world. “Mr. Souleyman loved the idea,” Esid remembers. “He said, ‘Somehow you make me feel like my great-grandfather’s house is still open for all the guests’.”
And so began Osama’s incredible project, Still/Life/Syria. Out of the hundreds of photos he took inside the camp over the course of several days, 12 five-by-six-foot prints will be on display at Mill Ruins Park this Saturday night during Northern Spark. The work is presented and commissioned by Mizna, an Arab arts organization based here in Saint Paul. And, yes, the Souleyman tent will also be on-site; a limited number of visitors will be invited to stand in front of it to get their picture taken. Esid will show the photos of Northern Spark “guests” in the Souleyman tent to residents at the camp in September, when he returns to Turkey. Continue Reading
It began with a Shhhhh, a call for the native English speakers in the audience to quiet down. This was not their night. Alejandra Tobar Atriz, performer and co-host of Anything But English performed her piece, opening the evening and deploying a modernist string of associations. The writing was beautiful. She described traveling from a “mountain’s cleavage to a U.S. classroom.” Continue Reading
Musical artists Jackie Beckey and Jonathan Kaiser perform their original live score for the 1921 Swedish silent film classic, Phantom Carriage, in the ASI historic ballroom Wednesday evening. Their musical compositions and improvisation for Phantom Carriage incorporate Beckey’s viola and Kaiser’s cello with amplifiers, electronics and sound effects to create richly textured and sparse soundscapes for this haunting ghost story, featuring ahead-of-its-time special effects and storytelling devices. Beckey and Kaiser, known for their work with bands Brute Heart, Myrrh and Dark Dark Dark, share a passion for cinema and for scoring silent films together. Phantom Carriage is their latest collaboration, a haunting, ethereal film that is a perfect match for their music style and experimentation.
Cyn Collins: How did you first begin collaborating? How did you have the idea to score silent films?
Jonathan Kaiser (JK): …We played music together for a long time, as a configuration for other people and as a duo and in bands and improvising. The scoring for silent films came from Jackie’s Brute Heart being commissioned for “The Cabinet of Dr. Caligari” for Walker Art Center Music and Movies. They invited me to join them for that. I’d worked on a couple film scores with Dark Dark Dark so I was in a certain mode of working in that kind of thing. So I and John Marks who plays synthesizer and electronics joined them for that. It was a really fun working experience and it was a great combination of five people working on the project. That was kind of the beginning of talking about film and music stuff and working together on film stuff. Continue Reading
The Twin Cities Daily Planet’s Clara Wang spent some time in the backstage tent hobnobbing with many of the Soundset artists to get exclusive interviews. Enjoy… Manny Phesto
Your last album, “Southside Looking In,” was very connected to your neighborhood, very connected to your roots. How has growing up on the South Side of Minneapolis influenced your music? “I think it’s influenced it a lot. Continue Reading