THEATER REVIEW | “Gidion’s Knot” remains firmly tied at Pillsbury House Theatre

Whenever a violent tragedy punches its way into a school community, there are always justified calls for a reason, an explanation, and a way of making the senseless have an order. As these events unfortunately become more and more common, various artists have attempted to handle this hopelessly complex problem. Gidion’s Knot, written by Johnna Adams, is a recent entry in this exploration. Presented by Pillsbury House Theater, this local production revolves around a confrontation between Corryn Fell (Aditi Kapil), a mysteriously distraught parent, and Heather Clark (Laura Esping), an equally agitated teacher. Despite whatever unnamed tragedy has befallen both of these women, Corryn is intent on keeping a conference she had scheduled before the crisis. Continue Reading

Youth Performance Company’s Artistic Director Jacie Knight: “Freedom Riders” a reminder there’s more work to do for equality

Freedom Riders is an original musical production created for the Youth Performance Company by Jacie Knight, Matt Koskenmaki and Kahlil Queen (music and lyrics).  In the summer of 1961, a group of students boarded buses to challenge segregation. Next to Rosa Parks, Ruby Bridges, Emmett Till (don’t miss Penumbra’s production The Ballad of Emmett Till), the March on Washington and all the events in Birmingham, Alabama, the Freedom Riders created a force that spanned the divisions of race. These young people fought for one common goal: equality.    Continue Reading

COMMUNITY VOICES | Clinically depressed motivational speaker advises Republican and DFL power players

I first met Jon Spayde at the Bryant Lake Bowl Cabaret maybe a year ago, on a Sunday night that is otherwise memorable only for the slush, cross walk puddles and snow that crusted Minneapolis. Mr. Spayde, who I soon learned, had done turns in theater, Harvard, internet editing, The Utney Reader and counseling, has a one man cabaret show featuring more than ten characters of his own creation including a clinically depressed motivational speaker, a Catholic priest, a ladies man and a ghost from the Snoose Boulevard era when Scandies got drunk and brawled a lot outside the saloons and vaudeville halls in Cedar Riverside. To my delight that night, Mr. Spayde was more than an impressionist – each of his lightly satirical characters was fully etched within the historic, pop culture and/or current issues contexts from which they emerge.   At Bryant Lake Bowl, Mr. Spayde invited members of the audience on stage to engage with the character of their choice in a conversation or line of questioning or even a faux psychiatric counseling session.  I chose Vic of Rhode Island.  Vic, through Jon, knew stuff about Providence, pizza and working class brio.   So do I.   He’s been there and the laughs perculated through the small theater. There ain’t nothing more comfortable for me on a drudgey, wintry night, than to hang out in hardscrabble improv comedy clubs like the Huge Theater or venues like the Bryant Lake Bowl and – during the twentieth Century – Dudley Rigg’s Brave New Workshop and Barbara Contardi’s kinetic, First Amendment on Bond Street in Manhattan. Of late, however, despite scores of improvisational riffs that spark ripples and waves of laffs and groans at Stevie Ray’s, Comedy Sportz, The Huge, and the post Dudley Brave New Workshop, and despite all of the improv groups (Hooray!!), the most consistently satisfying improv artist I’ve encountered is deceptively, low-amp Jon Spayde.  Why?  Well, dear possums, Spayde provides his characters with rich and informed contexts.  The man clearly reads books (and writes them), has himself been through hard times, frustrating times and great times, is good-hearted and intuitive and swims in a life stream with lots of different fish, snakes, anglers. poachers and game wardens.  Spayde, like Lorna Landvick (who also writes books and plays Bryant Lake Bowl), delivers more than a clever or risqué punch line; provides the ticket buyer with more than the shell of an archetype.  And he knows political issues and players – few other comedian performers in the local goldfish bowl of improv and cabaret comedy share his level of awareness.  Most are unfunny and trivial. We recently produced four new segments with Jon for Democratic Visions, the cable and internet program that is handcrafted by mostly DFL volunteers in the southwest ‘burbs.  The current program also features ex-blogger, vinegary scold Eric Pusey (late of Minnesota Progressive Project); a report on DFL Senate District 48’s precinct caucuses and an award-winning, short film on environmental activism.In the first of his new segments, Jon takes on the guise of his clinically depressed motivational speaker character to advise well known Republican and Democrat candidates and power players.Democratic Visions can be seen in Hopkins, Minnetonka, Edina, Richfield and Eden Prairie – Comcast Channel 15 – Sundays at 9 p.m., Mondays at 10:00 p.m. and Wednesdays at 5:30 p.m. Bloomington – BCAT Cable Channel 16 – Tuesdays at 2:00 p.m. & 10:00 p.m.; Fridays at 9:30 p.m.; Saturdays at 7:30 a.m. & 2:30 p.m.Minneapolis – MTN Channel 16 – Sundays at 8:30 p.m., Mondays 3:30 a.m., 9:30 a.m., 2:30 p.m.Segments of the program are posted on the web at www.dfl48.org/.  Continue Reading

Twin Cities holiday theater and events: Cheer, sneer, and more!

The holiday season is officially underway! Bright lights have started lining the streets, and our first real snowfall will be here before you know it. What better way to get into the holiday spirit than to see a holiday-themed show out on the town? From religious to irreverent, merry to scary, and everything in between, this year’s line up has something for everyone.UPDATED 12/4/2013 We’re kicking off things with a spotlight on some theater or music shows in or near the Twin Cities and a general listing. We’ll continue to add more shows as the season unfolds. Continue Reading

REVIEW | Artifact Traffic: multidisciplinary storytelling performance

Daina Ashbee roiled and sinewed herself crossing the stage floor more amphibian-like than human, breathing thick water from low or pawing the air for a gulp of oxygen, during her first dance performance on the stage of Intermedia Arts.  Phil Fried voiced her actions through his electric bass, the audible brother to her physical sister.  Two more dances choreographed by Rosy Simas and danced by Ashbee were accompanied by Fried bringing happy cheers from the audience. Opening night of Artifact Traffic, a performance that is part of the Indigenous Voices Series in conjunction with Pangea World Theater and Intermedia Arts Presents, played to a packed house on November 15. Directed by Heid Erdrich and R. Vincent Moniz, Jr., the show had the feel of a hanging out with buddies while they played with you during recess to entertain you.  Yet, inside the entertainment is a powerful awareness. In the program, Erdrich and Moniz  said, “The performance is a collage made up of collaborative works that contain the artifacts of images, ideas, and influences shared between artists, across artistic genres.”Erdrich’s “Indigenous Elvis” was a series of quick, almost improv skits, involving what would happen if a 911 call came into the center and Elvis, as in Presley but this time an Indigenous man and his response came in the answer of an Elvis song to suit the situation. Margaret Noodin lulled blues songs in Anishinaabe, to Briand Morrison’s deft finger style guitar work, and sang Heid Erdrich’s poem, “The Clouds,” in Anishinaabe.Stuart “Big S2” Perkins and R. Vincent Moniz, Jr. showed their chops as versatile performers, ranging from serious poets to silly dressed bit characters in a collaborative piece, “Pawn Shop.” When Moniz, Jr. donned a set of fragile wings, dream flying round the stage, versing his heart’s wishes, the audience flew with him under his wing.Without titles or introductions of the works to frame the artist’s intention, the audience had to guess at what the intention to be conveyed was. Perhaps as in Stuart Big S2 Perkins’ poem, it is, “yesterday is over-tomorrow never comes-today my heart beats likes the drum.”The show runs Saturday, November 16 at 7:30 pm and Sunday, November 17 at 4:00 pm. Continue Reading

THEATER REVIEW | Karna, the Abandoned Hero premieres in St. Paul

“Karna. Do you know of Karna?” the audience is asked, as the curtain pulls back on the first act of Karna, the Abandoned Hero at the O’Shaughnessy Theater at St. Catherine University. The story of Karna comes from the Sanskrit epic Mahabharata and features a fascinating cast of characters, from a queen who comes to admit that she is Karna’s mother, to Krishna, the incarnation of Vishnu, who comes to ask Karna for peace. Bringing these characters to life is the Katha Dance Theatre and three powerful gospel singers, as well as visual artist Deb Sree.The world premiere of Karna, The Abandoned Hero is truly a global experience. Continue Reading