“If Scott Seekins had taken photos of Auschwitz and inserted himself into those photos, I can’t even imagine the moral outrage,” said Anishinaabe artist and activist Ashley Fairbanks. “This is art about genocide.”
Inside the crowded Douglas Flanders & Associates gallery on May 14, one of Minneapolis’ most recognizable artists, Scott Seekins, opened his exhibit “The New Eden,” a collection of paintings and drawings depicting the 1862 U.S.-Dakota War. Many of the pieces seem to mimic Plains Indian art forms, including work created on ledger paper.
Images of Seekins himself appear throughout the collection, which is typical of his work. But when Seekins, a white man, paints himself next to Britney Spears — which he did throughout the 2000s — it’s different than inserting himself into cultural work dealing with genocide and oppression. Continue Reading