His preview during the Fringe-For-All, I’ll confess, left me cold. This still wasn’t his crowd, and the pacing still felt awkward – but this time around, I was much more impressed with the *visual* inventiveness of the show – the piece he chose to do was largely a rapid-fire catalogue of different puppets, puppets being transformed into other things, packed with lots of visual surprises. I still can’t say that I have a clear sense of exactly what I’ll be watching during the show, but I’m now reasonably certain that it’ll sustain my attention.
This was like a Saturday Night Live sketch, but the old, good Saturday Night Live. The premise is a funny one – people in a building are watching the television, and trying to figure out if the hostage situation they’re watching is the building that they’re in – and it’s played in a very deadpan, tongue-in-cheek style.
Roofies in the Mochaccino by Michael Shaeffer
Talking up this guy anymore would be nothing short of nepotism. But you should see his show.
Phillip Andrew Bennett Low (email@example.com) is a playwright and poet, storyteller and mime, theatre critic and libertarian activist, who lurks ominously in the desert wilds of St. Louis Park, feasting upon the hygienically-prepared flesh of the once-living. His main claim to fame is probably as co-founder of the Rockstar Storytellers, and as founder/producer of Maximum Verbosity, a garage-band-like theatre troupe that is in a state of constantly re-defining itself.