If you love local theater, consider the Theater All Year program offered by the Twin Cities Media Alliance, the Daily Planet's parent nonprofit. For only $99, you can buy six vouchers good for tickets to shows by dozens of top local theater companies.

(The Theater All Year program is run independently of the Daily Planet's editorial coverage, and participation in the program does not affect the likelihood or content of any Daily Planet previews or reviews.)

THEATER REVIEW | We Theater's "The Shadow War:" Descendants of Hmong soldiers and CIA operative illuminate history

Gregory Yang and Song Kim. Photo credit Scott Pakudaitis.

The Shadow War focuses on the years leading up to, during, and after the Vietnam War, when the Central Intelligence Agency and U.S. Army Special Forces developed a secret army made up of Hmong and Lao fighters to combat the spread of communism in Southeast Asia. Playwright Amy Russell, who created the play based on her experiences growing up in Laos as the daughter of CIA operative, explained that this became a workshop project as she developed it with the Hmong community and the actors themselves, including producer and actor Sandy ‘Ci Moua.


THEATER REVIEW | "Steel Magnolias" packs an emotional punch at Old Log Theater

A private moment in Steel Magnolias. Photo courtesy of the Old Log Theater

Steel Magnolias is an extraordinary play about ordinary and sometimes terrible events that people live through. Seeing the Old Log Theater's excellent new production will not make you want to go out and change the world, but it will make you laugh a great deal and might make you hug a loved one tightly when you get home. This is a play that resonates with audiences because of its veracity and encapsulation of real life and its rhythms – a drama that resonates with its down-to-earth authenticity and lands very close to home.


THEATER REVIEW | Minnesota Opera showcases the magic in Mozart's "The Magic Flute"

Photo credit Robert Millard

To call the Minnesota Opera's current production of The Magic Flute "a reimagining" would be a gross understatement and a disservice. "Outstanding" would be a better word, "revelatory" another, and "hopeful" maybe the best yet. A friend working on the production told me that at the final dress rehearsal last Friday a huge crowd of students "screamed at the end like it had been a One Direction concert." I think Mozart would have been very proud to see this production, even if he wouldn't know who Harry Stiles is.


THEATER REVIEW | Six Elements Theatre reworks Arthurian legends in "Tales from Camelot"

Morgan le Faye (Emily Knotek, behind) seduces Nimue (Tamara Koltes, front) into participating in Merlin's demise in Broceliande: The Death of Merlin, the first half of Six Elements Theatre's Tales from Camelot; photo by Teresa Townsend

Jenna Papke’s Six Elements Theatre and phillip andrew bennett low’s ongoing exploration of the Arthurian legends of England are such a perfect fit in retrospect I’m surprised a production like Tales From Camelot didn’t happen sooner. As it is, this new iteration of Tales From Camelot brings out the best in both. Tucked away in a gallery space in the art-saturated Northrup King Building in Northeast Minneapolis is a delightfully intimate evening with larger-than-life human beings.


THEATER REVIEW | Children's Theatre Company's "Balloonacy" appeals to all ages

Photo by Dan Norman featuring Robert Dorfman

Theater for children's audiences is often a hit-and-miss proposition: fun for the kids and less so for the adults who chaperone them. The play Balloonancy breaks this mold and is a delight for young children and their parents. Its mix of puppetry, wordless situational comedy, and Chaplin-esque physical humor is a winning combination.


Melissa Birch's "Flying Nuns" move as live art

Last May when I covered Bedlam’s Tenfest, I was most mesmerized by the piece by Melissa Birch that involved linen and white-cotton-clad movers–dancers/characters who connected and climbed over each other and implied inequality, power games, gender games. They functioned like moving pieces of a puzzle that would come together to make a statement–only to disperse again and start the next collection of pieces that would re-converge and show you a new puzzle and statement. 


Three reasons you should see zAmya Theater's Home Street Home Minneapolis

It’s a show of the people for the people. And it’s free. So there’s no excuse not to go and every reason to make the effort to see it; I know because I was able to catch part of a rehearsal last week.


THEATER REVIEW | "Naked Darrow" at the Illusion Theater: Who is Clarence Darrow?

Photo credit Petronella J. Ytsma

"Who is Clarence Darrow?" This is a question I often hear from the students in my college law class. Because he is largely unknown today, I wondered when I approached this production of Naked Darrow at Illusion Theatre on Thursday, April 3 if it could answer this question in a way that would be meaningful for those who do not know about Darrow's accomplishments. The answer is a resounding yes–the production provides great insight to this amazing and flawed man.


MayDay 2014 the Public Workshops are Open

The magic of making MayDay has begun to infuse all of the theatre space at HOBT.ORG (in the Heart Of the Beast puppet and mask Theatre).


THEATER REVIEW | "Dead Man's Cell Phone" at Theatre in the Round: Dated in the era of smartphones

Charles Numrich (left), Colleen Somerville Leeman (right), Andrew Troth (back). Photo credit Theatre in the Round.

The play-licensing company Samuel French describes Sarah Ruhl's Dead Man's Cell Phone as a dramatic and romantic comedy, with a contemporary setting and a strong role for a leading woman. These are all technically true, and also likely aspects that the audience will overlook when seeing Theatre in the Round's production of the play. Dead Man's Cell Phone is a quirky play populated by quirky characters, and the increasingly odd but consistent things that they do are the main attraction.

Syndicate content