Jim Brunzell III

The 14th annual Newport Beach Film Festival started April 25 and ends this Thursday, May 2. After the extravagant weeklong festival ends, they will have screened over 350 films, screening at five different venues and at times occupying 12 screens at once. I knew very little about this festival, other than a few key programmers—Max Naylor, Amanda Salazar, Adam Gentry, Jay Winterstein, and executive director Gregg Schwenk—whom I had met in previous years attending Sundance standing in lines, sitting near one another at screenings, and meeting up at parties. (On opening night, I was blown away by the fact there were some announced 500 volunteers that would work over 50,000+ hours, year-round and during the festival to make this event happen!) This past January at Sundance, I was asked to participate at the festival as a jury member and there was no way I was going to say no.

The new musical dramedy The Sapphires has been a huge hit in its native Australia for close to a year now. It surprised audiences at the 2012 Cannes (where it was picked up by the Weinstein Company, and after its first screening had a standing ovation) and Toronto International Film Festivals, and even made a brief appearance in Minnesota, last October at the Twin Cities Film Festival. The Sapphires opens Friday, April 5, at the Lagoon Cinema, and its director, Wayne Blair, was in the Twin Cities last month to discuss this true story of four Aboriginal women who traveled from Australia to Vietnam and in other countries to perform for American soldiers.

Since its release in 1957, Jack Kerouac’s “Beat Generation” semi-autobiographical novel On the Road has become an American literary classic. It is also one of those rare novels that seemed untouchable for years to turn into a feature film, documentary, mini-series, television series, or any medium where it could be viewed on either a big theater screen or a big-screen television.

This week The Film Society of Minneapolis/St. Paul made its first big announcement about the upcoming Minneapolis/St. Paul International Film Festival (MSPIFF), which opens Thursday, April 11 and runs through Sunday, April 28, 2013, at St. Anthony Main. One of the biggest cultural events in the Midwest, MSPIFF will screen over 200 international, American independent feature length and short films, narratives and documentaries representing over 60 countries.