Per the playwright's instruction, the set for Samuel Beckett's Happy Days at the Guthrie has "a maximum of simplicity and symmetry." Well, maybe not a maximum of simplicity—the grassy hiMORE »
Sonja Peterson, Nothing more than a guided dream (2008). Graphite, charcoal, gouache on paper. All images courtesy Minneapolis Institute of Arts.
When I exited the elevator on the second floor of the MIA's Target Wing en route to review the new show Expanded Drawing, the first thing I saw was a kinetic sculpture featuring waving sMORE »
Sun Mee Chomet and Valeri Mudek in The Two Gentlemen of Verona—no, this is not what the headline refers to. Photo by T. Charles Erickson, courtesy Guthrie Theater.
In two of the most recent Guthrie productions I've seen, Shadowlands and MORE »