The Little Skeleton That Could Not
Location(s)
Lamb Lays with Lion is proud to present The Little Skeleton That Could Not Thursday November 20, 2008 at The Hexagon Bar. Developed as a company, this intervention is designed specifically for the bar audience and away from comfortable theatrical norms. Company members will engage their audience through self-help and info-tainment to “talk about important subjects”; especially the Three A’s- Alcoholism, AIDS & Anorexia! This performance will not take for granted the audience’s passivity- in The Little Skeleton That Could Not, the performers are at the mercy of the audience, a sensibility normally reserved for stand-up comedy, rock concerts, and magic shows. Expect all of it, expect none of it.
Music by Fort Wilson Riot, Plastic Chord and Speed’s The Name to follow.
Lamb Lays with Lion is an Original and Experimental company dedicated to the exploration of unique and radical new forms, virtual and spectral expressions, and the thrust into a new age of art; one in which expectations are checked at the door, to be replaced by ear plugs and open minds.
Where: The Hexagon Bar
2600 27th Ave, Minneapolis, MN 55406
When: 9pm, Thursday, November 20, 2008
How Much: FREE
The Little Skeleton That Could Not
Conceived by Lamb Lays with Lion
Directed by Jeremey Catterton
Featuring Jayne Deis, Julia Mae Fairbanks, Melissa Anne Murphy and Ashley Smith.
Contact: Carl Atiya Swanson
651-214-8352
lamblayswithlion@gmail.com
www.myspace.com/lamblayswithlion
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Comments
expanding, pushing, and breaking boundaries
Although I have yet to make the trip to Mineapolis to see a Lamb Lays with Lion production (mention of their work has trickled its way westward to Oregon), I am familiar with Mr. Catterton and his high artistic standards. I would just like to add that although I could not comment as to whether or not someone may enjoy this theatrical work, it will most definitely be a new experience for the patron/participant and just as a conversation with Mr. Catterton may linger and provoke for days and weeks to follow, this production should be no different. I encourage support for this theatrical company because they are not driven by money and stardom, but by expanding, pushing, and breaking normal theatrical boundaries and norms to interpret stories and themes in new mothods. Kudos!
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