Central

Father John Misty furthers his myth at First Avenue

Minneapolis has seen a lot of Father John Misty in the last year. The man behind the man, Josh Tillman, and his bandmates have toured relentlessly since the release of "Fear Fun." Chances are you didn't catch them when they sold out the small 7th Street Entry, or even when they came by last Halloween to play to the always-obnoxious Fine Line audience. But if you were at First Avenue on May 21, you saw Misty and company in all their glory—giant psychedelic mural backdrop, roadie stuffed tiger, disco balls and all.

MORE »

Widespread Panic at the Orpheum Theatre: Master musicians at their very best

Courtesy Widespread Panic

On April 14, the Orpheum Theatre was struck by Widespread Panic, inciting a completely sold out house of revelers to create absolute pandemonium. Fans of this veteran rock powerhouse are nothing if not faithful, wildly devoted to what can only be called an extreme. It must be pretty thirsty work, because when Panic hit the State Theatre across the street on Hennepin Avenue in 2011, the bars ran out of beer before the show was half underway—so, quite sensibly, things were moved to the larger venue and the venue laid in a stronger supply of brew.

MORE »

Minneapolis Downtown East development: The Yard, and the Vikings stadium

In a veritable bacchanalia of developments, we have seen three major inter-related activities in Minneapolis’s Downtown East:

MORE »

THEATER REVIEW | "An Illiad" at the Guthrie Theater: Homer, up close and personal

Stephen Yoakam in An Illiad. Photo by Aaron Fenster, courtesy Guthrie Theater.

In Athens, Greece, circa 450 BCE, the blind poet Homer was bigger than the Beatles. His The Iliad and The Odyssey put him on the level of John, Paul, Luke, and Matthew in terms of laying the literary foundation of a civilization’s religious beliefs. Dramatizations of Homer’s work are always a challenge in the modern day and I can only imagine a theater approaching Homer with fear and trepidation. Director Benjamin McGovern rises to this challenge in the Guthrie Theater production of An Illiad.

MORE »

Time for action to make Washington Avenue in downtown Minneapolis an asset to the neighborhood

Washington Avenue is an unsafe and unattractive barrier in the middle of downtown Minneapolis. It severs downtown from the Mississippi River, degrades quality of life in a growing downtown, and creates a hostile highway between the North Loop, Downtown, and the University of Minnesota.

MORE »

The Guthrie Theater at 50: A legacy of artistic excellence, if not always diversity

Photos, top to bottom: Nancy Wickwire and Robert Jackson in the Guthrie's 1966 production of The Dance of Death; the Guthrie's original building as photographed that same year; the Guthrie's opening night audience in 1963 (all from the collection of the Minnesota Historical Society); the Guthrie today (photo by Mark Vancleave, courtesy Guthrie Theater).

This week marked the 50th anniversary of the first play staged at the Guthrie Theater. On May 7, 1963, Sir Tyrone Guthrie’s bold new experiment opened its production of Hamlet, directed by the Guthrie at their brand new theater adjacent to the Walker Art Center. Whether you love Minnesota’s largest theater or hate it—or, like me, have intensely mixed feelings about it—there’s no denying the impact that the institution has had on the Twin Cities' cultural life.

MORE »

"I Love to Eat": James Beard tells all at Illusion Theater

Gary Geiken in I Love to Eat. Photo courtesy Illusion Theater.

Attention foodies: Garry Geiken serves up a delicious impersonation of legendary American foodie James Beard in Illusion Theater's production of I Love to Eat: a love story with food. The one-man show is more character study than drama, but Geiken succeeds in bringing a fascinating character to life. During the performance, Geiken prepares some of Beard's signature onion sandwiches, and a few lucky audience members get a chance to taste them.

MORE »
Syndicate content