Visual Arts

Sexy art: Why I draw naked people

I like drawing naked people. I always have. It’s liberating, it's freeing, and I feel honest in doing it. I also like drawing these people engaging in sexual acts or at least appreciating their sexuality—it’s just so much fun.

MORE »

FREE SPEECH ZONE | R.I.P. - the finder and publisher of "Boint" Michael Bolin

Michael Bolin died on November 17.  We became friends during the wonderful, risky and robust explosion of Twin Cities arts during the late 1970s. 

MORE »

OUR SCENE | Amina Harper on art in the Twin Cities: There's something for everyone, if you only look

Amina Harper portrait by A.M. Downs

I grew up in Minneapolis, and then a few years ago I spent two years at an art school in Portland, Oregon. Though I was told on numerous occasions that this school was a community of loving and attentive creators that were more like a family than a bunch of future career competitors, the feeling of community this school claimed to offer was contradictory to the feelings of loneliness I was experiencing daily. I left the school in Portland and came back to Minneapolis with a new resolve to become an artist without a degree (out of spite more than anything else).

MORE »

Evolving as an artist: A risk you have to take

As an artist, if you don’t evolve, you die. Not literally, lying in the gutter surrounded by wine bottles with the bitter air of artistic contempt swirling around your corpse—though people still buy into that stereotype. It isn’t nearly that dramatic, but it is scary.

MORE »

Local artist depicts the joys and trials of new motherhood: KimyiBo explores patterns and abstraction in second of three collections

Twin Cities artist KimyiBo Lee displayed her most recent creation at the Gage Family Art Gallery on Riverside Avenue at Augsburg College in Minneapolis, in an exhibit that ran from mid-May through mid-July, entitled Blessings II.

MORE »

Minnesota Museum of American Art has its own public space again—for now, at least

The Minnesota Museum of American Art (MMAA) has been without a home for a long time now. While hopping from space to space for over a century can have its advantages, after a while it’s nice to have a place to call your own. In 2009 the MMAA vacated its residence at the Ramsey County Government Center, and since then it has focused on touring works from its collection of approximately 4,000 pieces throughout the Midwest—as it has since 1909.

MORE »

With Paul Bunyan and Chinese warriors, museum stores in St. Paul and Minneapolis charge into the Black Friday fray

Photoillustration from images courtesy Minneapolis Institute of Arts (warrior) and Michael Stephens (Paul Bunyan, Creative Commons).

Move over, Mall of America: there's a new Black Friday tradition emerging for culture vultures in the Twin Towns. Museum stores are jumping into the mix offering unique seasonal shopping events on the day after Thanksgiving. Think of it as a “Cool-To-Wear-Black Friday”—we are talking museums, after all. The Minnesota History Center (MHC) and the Minneapolis Institute of Arts (MIA) are both hosting big Black Friday events, with specials that go beyond the gift shops and into the galleries.

MORE »

Outdoor Painters of Minnesota showing at the Frameworks

What would a collection of Minnesota’s best contemporary landscape paintings look like? Much like the “Outdoor Painters of Minnesota Member Show,” currently at the Frameworks Gallery in St. Paul.

MORE »

The “flat-world” myth persists in the MIA’s globalization exhibit

What can one say of an exhibit theme that is based on a book scholars have dismissed as culturally misinformed, propaganda, intellectually impoverished and shockingly ignorant of history?

MORE »

ART REVIEW | Cindy Sherman at the Walker Art Center: When is a self-portrait not a self-portrait?

Cindy Sherman, Untitled #92 and (below) Untitled #474.

Introducing the new Cindy Sherman retrospective to the press corps at the Walker Art Center on November 8 (it opens to the public on Saturday, November 10), Museum of Modern Art curator Eva Respini mentioned the exhibit's relevance "in the age of Facebook." That's the kind of phrase that's often used synonymous with "in 2012," whether or not the speaker intends to actually say anything substantive about online identity—but in this case, it was apt. Social media, Facebook in particular, now force many of us to engage questions of identity, artifice, and representation on a daily basis, and those are questions that are very relevant to Sherman's 35-year body of work.

MORE »
Syndicate content