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Act for Education plans theater focused on education issues

Last January, Maria Asp, a local actress and theater educator attended a conference sponsored by United Way that was all about school reform, touting the successes of school districts in Miami and

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THEATER REVIEW | "Urinetown" at the Jungle Theater: An exuberant musical about micturition

Photo by Michal Daniel, courtesy Jungle Theater

If I had to describe the production of Urinetown at the Jungle Theater in a single word, it would be “exuberance.”  John Command directs an energetic and talented group of singers and dancers to tell the tale of a world where water is scarce and the ability to relieve oneself is limited by the size of one’s pocketbook. Micturition seems like an unlikely topic for a rousing musical, but this show radiates exuberance and provides for a very entertaining evening.

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THEATER REVIEW | "War Horse" comes to life at the Orpheum Theatre

Photo credit Brinkhoff/Mogenburg

The Orpheum Theatre, and downtown for that matter, were buzzing with anticipation for the opening night of War Horse on Wednesday, June 12. I had a hunch that Steven Spielberg’s 2011 movie adaptation played a part in the giddy turnout. While that may have been the case for some, myself included, it was clear from overheard conversations that the play is a big deal in and of itself. Whatever the case, War Horse is worthy of the hype.

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THEATER REVIEW | "Clybourne Park" at the Guthrie Theater: A play about "the American dilemma" and other euphemisms

Kathryn Meisle, Shá Cage, and Peter Christian Hansen in Clybourne Park. Photo by Michael Brosilow, courtesy Guthrie Theater.

Clybourne Park is the kind of play that's often referred to as "sociological": it deals with issues of race, class, and neighborhood change. Really, though, Bruce Norris's 2010 play—now being presented at the Guthrie Theater—would more accurately be described as psychological. The characters are aware of broad social issues insofar as their own lives are affected, but they don't spend their time debating policy. Rather, we watch them trying to determine how to navigate those structures as individuals and as families, while trying—hard though it sometimes is—to treat others as they themselves would like to be treated.

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THEATER REVIEW | "Emilie" by Theatre Pro Rata: Life, the universe, and everything

Voltaire (Matt Sciple) and Emilie (Shanan Custer) in Theatre Pro Rata's Emilie: La Marquise du Chatelet Defends Her Life Tonight - photograph by Charlie Gorrill

I'll make this simple: go and see Theatre Pro Rata's production of Emilie as quickly as you can. The script is fantastic. Shanan Custer, as the title character, is astonishing. Matt Sciple, as the larger-than-life Voltaire, is both charismatic and exasperating (in a good way). The story was none of the things I feared it would be, and all kinds of things I never expected.  It's great fun, and unexpectedly moving. And it all takes place in a science lecture hall on the St. Paul campus of St. Catherine University. Theater is a strange beast.

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Up-and-coming playwright Junauda Petrus shows There Are Other Worlds

Junauda Petrus had been living in New York when she was initially inspired to begin the creative process of writing and developing the concept for the gripping play entitled There Are Other Worlds. Her original idea for the performance, which sold out each night of its four-night run, was a little different than the work which was presented at the Open Eye Figure Theatre in Minneapolis April 25-28, 2013.

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Wendy Lehr, McKnight Distinguished Artist Award winner: From a Hi-lex hen to the toast of the town

Wendy Lehr (center) co-starred with Michael Booth and Amy McDonald in the Jungle Theater's Blithe Spirit (2010). Photo by Ann Marsden, courtesy Jungle Theater.

On June 6, the McKnight Foundation announced that the revered actress, director and teacher Wendy Lehr will receive the 2013 McKnight Distinguished Artist Award. The award, now in its 16th year, includes a $50,000 cash award and is meant to “recognize individual Minnesota artists who have made significant contributions to the quality of the state’s cultural life,” according to a press release.

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Bedlam Theatre's 10Fest: Adventures in ten-minute theater

In the beginning  of the 10Fest process, Bedlam Theatre offered a weekend of workshops in a theater class-like setting, everyone invited. Then conversations about ten-minute play ideas and proposals were turned in. The co-curators, Molly Van Avery and Miré Regulus, chose the pieces.  A week later there were open auditions; everyone who auditioned got a part. Long live community-grown and -nurtured theater!

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THEATER REVIEW | "Hamlet" by Theatre Coup d'Etat: A production where the play really IS the thing

Peter Beard as the title character in Theatre Coup d'Etat's production of Hamlet

Theatre Coup d'Etat's production of Hamlet has a lot of strengths going for it, but the chief one among them is that they trust Shakespeare's script to do most of the heavy lifting. Even though the production takes place in the third floor ballroom of the opulent old stone and wooden building that houses the American Swedish Institute, this Hamlet could almost be described as bare bones in terms of production values. There are a couple of chairs, brought in very sparingly, but other than that, it's just actors and the words in a wide open space, surrounded close by with audience on three sides. And they're not afraid of the audience. Suddenly, you may find Hamlet looking you right in the eye during one of his many famous soliloquies. It's the kind of production of Shakespeare I wish we saw more of, the kind that gets out of the way and just lets the story do its work.

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