Calhoun community

THEATER PREVIEW | Sibyl Kempson, living female playwright of Elevator Repair Service

Sibyl Kempson. Photo by Sheila Regan.

Last week, I met Sibyl Kempson on the day of her arrival from Brooklyn as she began final rehearsals for the preview performance of Fondly, Collette Richland at the Walker Art Center. She's a petite, exuberant firecracker of a woman, and we immediately dished about arts education policy, the economy, sexism, and a number of other political, artistic, and social topics as we walked across Loring Park to have a drink.

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THEATER REVIEW | "Country Roads" with Dennis Curley: At the Bryant-Lake Bowl, John Denver's music is as sweet as ever

Dennis Curley. Photo courtesy the Theater of Public Policy.

Dennis Curley brings the music of John Denver to the Bryant-Lake Bowl in Country Roads: Dennis Curley Sings the Music of John Denver. If you are not familiar with the theater at the Bryant-Lake Bowl, let me tell you that on May 4 I felt like I was sitting in Curley’s living room surrounded by friends and family. This is the magic of John Denver’s music: it connects people to a simpler time and to shared memories. Not to mention that the audience did consist of friends and family of Curley and the four musicians who shared the stage with him—along with people like me, who love the music of John Denver.

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COMMUNITY VOICES | Craig Taborn brings his brand of frenzied heroism to the Walker Art Center

Craig Taborn, the protean pianist, composer, and conceptualist, will return home to his native Minnesota Friday night for a celebration of his music at the Walker Art Center’s McGuire Theater. The performance, cryptically entitled “Heroic Frenzies,” will begin at 8. He will play in three different formats: with his electronica outfit Junk Magic, with his acoustic trio, and solo.

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"The Sapphires" director Wayne Blair: "You can walk out of the theater feeling a little more human"

The new musical dramedy The Sapphires has been a huge hit in its native Australia for close to a year now. It surprised audiences at the 2012 Cannes (where it was picked up by the Weinstein Company, and after its first screening had a standing ovation) and Toronto International Film Festivals, and even made a brief appearance in Minnesota, last October at the Twin Cities Film Festival. The Sapphires opens Friday, April 5, at the Lagoon Cinema, and its director, Wayne Blair, was in the Twin Cities last month to discuss this true story of four Aboriginal women who traveled from Australia to Vietnam and in other countries to perform for American soldiers.

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Abraham Cruzvillegas's "Autoconstrucción Suites" at the Walker Art Center: Giving new life to found objects

Abraham Cruzvillegas, La Polar, 2003. Photo courtesy Walker Art Center.

When I began writing for the Twin Cities Daily Planet it never really occurred to me that I could get free access to things. I mean, I knew it was possible, but I wasn’t entirely aware that I could use my status as a member of the press to partake in events that I might not get to see otherwise—and get free breakfast in the process.

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"On the Road" director Walter Salles talks about filming an "unfilmable" novel

Since its release in 1957, Jack Kerouac’s “Beat Generation” semi-autobiographical novel On the Road has become an American literary classic. It is also one of those rare novels that seemed untouchable for years to turn into a feature film, documentary, mini-series, television series, or any medium where it could be viewed on either a big theater screen or a big-screen television.

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Burch Steak and Pizza Bar in Minneapolis: Isaac Becker invents the un-steakhouse

A steakhouse in Lowry Hill? Seriously?? A few short blocks from Birdhouse and the Namaste Cafe and the Wedge Co-op and Tao Natural Foods? (Okay, it's also a few short blocks from Rudolph's and Lee's Liquor Lounge, but let's not complicate this story.)

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Walker Art Center pays homage to darkly funny auteur Noah Baumbach with a Regis Retrospective and Dialogue

Come on…be romantically self-destructive with me.

This quote comes from Kicking and Screaming, Academy-Award-nominated writer/director Noah Baumbach’s 1995 debut feature about a group of college students facing life after graduation, dealing with ongoing and hazardous relationships, finding a purpose in the real world, and facing personal crises. This quote could also represent four other Baumbach films screening at the Walker Art Center, as part of the Regis Dialogue and Retrospective Noah Baumbach: Visibly Human. The retrospective kicks off with Kicking and Screaming, on Friday, March 15 and runs through Friday, April 5 with Baumbach and Village Voice chief film critic Scott Foundas, discussing Baumbach’s 18-year career as a screenwriter and director.

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Uptown: It's all about good urbanism

Several things jumped out at me as I read through yesterday’s Star Tribune article about Uptown and the tension of its recent level of development. I’ll address three here, and they have everything to do with what a colleague of mine calls a “failure of frontage.”

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Croissant comfort at a caffeinated classic: Muddy Waters

 

Muddy Waters logo

Do you have a favorite haunt? You know, that special 'watering-hole' or 'greasy-spoon' where your car finds itself parked, without abject direction or even precognition? No? I don't either. Until now.

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