THEATER REVIEW | "The Doyle & Debbie Show" at the New Century Theatre: Not for the politically correct

Debbie (Kim Kivens) and Doyle (David Andrew Anderson) try to revive Doyle's moribund country music career in The Doyle & Debbie Show. Photo credit: Brianna Royle Kopka.

Early on in The Doyle & Debbie Show, its washed-up country star (David Andrew Anderson) introduces a song that, he explains, was written because of a dearth of uptempo country songs for women. Its title? "Barefoot and Pregnant." Its content? A decidedly non-PC satire of an ode to being a stay-at-home mom, to the refrain of "Just keep me barefoot and pregnant, / that's all I wanna be. / Keep me knocked up and cooking; / it's a sure fire recipe." If the basic premise is too offensive to contemplate, you might want to give TD&DS a miss. If a cross between Mel Brooks and Tom Lehrer's humor sounds appealing, you might want to hop on down to the New Century Theatre.

The basic setup of The Doyle & Debbie Show is a late-life comeback effort by Doyle (Anderson) and his new partner Debbie (Kim Kivens). To say that Doyle's age is showing and he carries a lot of baggage is an understatement; many a song is enlightened by the terrified reactions of band member Buddy (Paul Somers), whose thankless job is to try and keep the on-stage trainwrecks from fouling too badly. The real attraction, though, is the slew of tongue-in-cheek country music send-ups that fill the show-within-a-show.

These songs sound familiar yet fresh with their humorous twist, even when parodying hit songs of yesteryears. The music and lyrics to TD&DS were written by Bruce Arntson, a Minnesota native now residing in Nashville, and are both clever and catchy. Each song is built around a different line of parody or gimmick, and is usually joined by laughter within the first two lines. This makes for a ninety-minute production that passes quickly and lightly. You might easily find yourself humming "Stock Car Love" or "Blue Stretch Pants" as you leave the theater, or reciting snippets from songs like "ABC's of Love" ("My PhD in ESP trumps your MA in STDs.")

The set of The Doyle & Debbie Show is gaudy but fairly minimal, as befits the "desperate comeback tour"-type atmosphere of the show's setup. Lighting designer John Jovanovich has even included a few sight gags to complete the atmosphere of parody. The musical backing uses prerecorded tracks, which does the job – but one hopes that the next such production in the New Century Theatre will use a speaker placement that makes it sound more like the music is coming from the stage, rather than from the ceiling. Fortunately, there's a lot of laughter to distract from that design quibble.

Read Basil Considine's interview with the composer and playwright, Minnesota-native Bruce Arntson.

Coverage of issues and events that affect Central Corridor neighborhoods and communities is funded in part by a grant from Central Corridor Funders Collaborative.

"The Doyle & Debbie Show" at the New Century Theatre

02/21/2014 (All day) - 03/29/2014 (All day)

Written by Minnesota’s own Bruce Arntson, The Doyle & Debbie Show is the hilarious new musical comedy that the Chicago Tribune calls “Hilarious, drop-dead funny.”

Box Office: 1-800-982-2787

615 Hennepin Ave.
Suite 145
Minneapolis, MN 55403
POINT(-93.2740313 44.9783452)

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    Basil Considine's picture
    Basil Considine


    Basil Considine is a music and theatre critic. An opera clinician and scenes coach, he holds a PhD in Music and Drama from Boston University. From 2006-2012 he was the Artistic Director of the Reduced Spice Opera Company of Brookline, Massachusetts.