The return of Mazarati: "Y'all don't think they're funky? You're wrong!"

"Mazarati's coming back," shouted Tony Christian with a grin, "and it's gonna be dangerous!"

Christian was in his Bloomington garage on Sunday evening with the founding members of Mazarati, the Minneapolis band whose 1986 debut album was release number 001 on Prince's Paisley Park label. The occasion marked the first time in 20 years that the band had been together. They were at Christian's house to rehearse for their reunion show: they're playing a set Friday night at the Prince Family Reunion at the Cabooze. Appropriately, the Cabooze was also the venue where the band played their very first show—tickets were $2.

"We have rehearsal space," said lead singer Sir Casey Terry as he ducked into Christian's basement, "but we wanted to do it this way because this is where we started—playing in the basement." Terry grew up with Prince, who was nonetheless surprised when he came upon Terry playing at First Ave. "I had real long hair then," remembered Terry, "and it was hanging down covering my face. Prince came up and said, 'Is this your music?' I pushed my hair back and said, 'Yeah, this is my music! You know who I am.'"

Prince signed Mazarati to his label, contributing songs and musical cameos. "He'd jam with us when we were still a bar band," said Terry. "You'd hear this voice on the monitor—Play "Head”—and you'd know he was there. Once we were playing an awards show in L.A., and the room was full of all these great musicians—legends, like Smokey Robinson. They weren't that into it, and Prince jumped up on stage. 'Y'all don't think they're funky?' he said. 'You're wrong!'"

Mazarati's 1986 debut was a modest success; they toured nationally, played live on MTV, and had a top 40 hit with the Prince-penned "100 MPH." "We were playing four to seven nights a week," remembered keyboardist Aaron Keith. "We went from playing bars to playing for ten or twenty thousand people."

When Mazarati's producer Brown Mark parted ways with Prince, the band signed with Motown Records—but the band members weren't happy with the resulting album, Mazarati 2. "I didn't sound ethnic enough for Motown," said Terry. At the label's urging, the band brought in an assortment of other producers, songwriters, and performers. "The sound was generic," said Terry. "It was just a byproduct of the original Mazarati." The band left Motown, and their second—and last—album was released only in Canada.

Today, Mazarati may be best known for the fact that they were the first act to record Prince's #1 hit "Kiss." Prince gave the band a brief demo of the song, which he originally envisioned as a countryish swing number. Mazarati gave the song its funk arrangement; Prince was so pleased with the result that he re-edited the recording—adding his own lead vocal and guitar solo—and released it on his 1986 album Parade.

"People sometimes say Prince liked us because we were the band he could never be," said keyboardist Marvin Gunn (a.k.a. Marr Starr). "We were hard black funk rockers with”—Gunn gestured at Keith and drummer Pancho Lopez—“two white guys who were also funky."

Since the band broke up, all the members have remained active in music. Keith restored the Varsity Theater, and Christian and Gunn performed as the Wild Pair—best known for their duet with Paula Abdul as the singing voice of the animated MC Skat Kat on the #1 single "Opposites Attract."

On Sunday the band declined to be photographed or to be heard in rehearsal, preferring to reemerge in style at the Cabooze. "We hit too soon," said Christian. "We were young and dumb. Now we're fluent and we know how to do it! You can quote me on that."

POINT(114.177987 22.321702)

Our primary commenting system uses Facebook logins. If you wish to comment without having a Facebook account, please create an account on this site and log in first. If you are already a registered user, just scroll up to the log in box in the right hand column and log in.

Jay Gabler's picture
Jay Gabler

Jay Gabler (@JayGabler) is a digital producer at The Current and Classical MPR. He was arts editor at the Twin Cities Daily Planet from 2007-2013.


Comment viewing options

Select your preferred way to display the comments and click "Save settings" to activate your changes.

Mazarati Reunion

Good Afternoon Jay After nearly 20 years following the Minneapolis sound I am so happy to read your great article that Mazarati have had a reunion and I do hope this is the first signs of them reforming. Managed to get a tape of Saga of a Man Album (can you believe it's 20 years !) from some friends of mine in London 'The Madhouse DJ's (they introduced me to the Minneapolis sound 20+ years ago) but we never did get the CD as I believe the album was stopped. Is there any chance you can pass on my details to Mazarati as I would appreciate any photos from the event, how they are getting on and will they be doing anything with Brownmark again. In general I think a lot of UK based fans would like to know how they are getting on after all this time if they had a website Still listening to the music now after nearly 20 years and I would appreciate a better copy of 'Don't Leave Me Baby'(Youtube keeps crashing) and Saga of A Man P.S. One of the greatest Album covers Many Thanks again Mark (Mazarati Fan living in Dudley - West Midlands - United Kingdom)