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Triangle Park Creative

Music note: KRS-One captivates the crowd—but slights local artists

KRS-One (left) beatboxing with TruthMaze. Photo by B Fresh Photography.

April 30, 2008
One of the seven questions that were asked of those in the filmic dimension of the break/s was about the importance of hip-hop’s pioneers today. Those who went to the Friday night performance of the break/s could’ve seen one answer vividly on display later that night as KRS-One performed at Trocaderos.

For more information on KRS-One, see krs-one.com. For upcoming shows at Trocaderos, see trocaderos.com.


While the beats seemed twice as loud as any other of the artists onstage, there was absolutely no problem hearing KRS-One. His unmistakable voice and presence immediately captivated the crowd as he began going through his back catalogue: songs like “South Bronx,” “You Must Learn,” “9mm,” “Stop the Violence,” “The Bridge is Over,” and a host of others. He literally killed the mic, needing a replacement before the end of his set. One of the highlights of my night was seeing Big Zach, a.k.a. New MC from Kanser, wildin’ out over the balcony rail.

Such amazing energy and response made what happened next all that more disappointing. KRS-One, as most hip-hop heads know, has a history of preaching that he is hip-hop, that he represents the truest, most authentic form of hip-hop out there. If we want to enter the Temple of Hip-Hop, only KRS-One has the key to the gates. While there was no lack of authenticity-mongering in the first part of his set, it seemed much more communal.

Soon, however, it regressed into KRS-One as the sole purveyor of authentic hip-hop. First there was the long interruption of his set to sign t-shirts and record covers passed to him from the audience as well as the shirts of those b-boys, b-girls, and MCs on-stage with him. The most flagrant moment, though, was when he said that now that he’s been here, “the world knows that hip-hop is in the Twin Cities.” Rhetorical or not, this seems like a pretty incredible statement to make when you’ve had a number of the best artists in the Twin Cities perform before you: Kanser, Indigo, Shock B, General Monk, a collection of the best b-boys and b-girls in the Twin Cities, TruthMaze, Muja Messiah, as well as the First Ladies of the Word—an all-star group of female poets composed of Sha Cage, Indigo, Dessa, and Lorena Duarte of Palabristas.

By the end, KRS-One was talking about how he’s “the illest MC in the world,” while at the same time saying he doesn’t want people to lord over his back catalogue and that he wants to be thought of as the “least” MC in the world. I bounced, wondering if the recent deal with Smirnoff to recreate KRS-One's classic album Criminal Minded as part of their Signature Mix series is part of real hip-hop.

Justin Schell is a freelance writer and a grad student at the University of Minnesota's Comparative Studies in Discourse and Society program. He's working on a dissertation on Twin Cities immigrant and diasporic hip-hop and plays the washboard tie with The Gated Community.

Justin Schell's picture
Justin Schell

Justin Schell (612to651@gmail.com) is a freelance writer and grad student in Minneapolis.

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“Rhetorical or not” —

"Rhetorical or not" -- well put. There really isn't any reason or excuse for what you described to happen. Takes no skin off his butt to, if not to give acknowledgement, at least not do such a blatant diss. Good call. dh minneapolis

I hear ya - but see it from another angle......

First off, good to see a strong hip-hop presence in the Twin Cities. I had NO IDEA you guys are poppin off like that! That's all right :) Second, I've gone through the spectrum of Hip-Hop, like most of us have, only to emerge to the more conscious, thought provoking artists. Thus, KRS is upon the top of the list. Are there young, bright, smart, up-and-coming artists? Hell yes. Is there local talent in the Twin Cities? Apparently so! Well, my point is, I've seen KRS bring a lot of aspiring artists on stage with him, in my home of Long Beach. I've even seen him bring artists, breakers, beat-boxers, emcee's, and even the director of Breakin'. This guy brings way too much to the table to completely dismiss him. He does a ton for Hip Hop, and to restore some sense of intelligence within our genre. We are smarter as a whole to embrace the man as a leader. I'd rather have a following of coherence that a mob of ignorance. "I don't know about pimpin'/ sellin' women like retail/ Or cookin' coke into crack for resale/ but I do know if we fail/ by 2020, our children by the million gonna be jailed/" ~KRS ONE

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