Roundup of news from our Media Partners from around the Twin Cities. Stories about inclusion at the Washburn Center of Children, Hennepin County Sheriff, marking 150th and 10th year anniversaries, helping the pets of the homeless, and much more from all corners of Minneapolis and Saint Paul.
For the past five years, Minneapolis streets in summertime are turned into walkways, bike lanes and a place to enjoy community. East Lake Street last Sunday was no exception. It’s one of the most diverse streets in the city, and that spirit came out in force during Open Streets. If you missed it, here’s a photo sampling of the day.
As tough as it is to get a play produced, Marcie Rendon has turned down name venues for the sake of cultural integrity. “Believe it or not,” she told the Twin Cities Daily Planet several years ago, “some people consider ‘Dances With Wolves’ current events.” This mentality is why she founded Raving Native Productions back in 1996, showcasing uncompromising scripts by Native authors at the Minnesota Fringe Festival. Rendon returns to the Fringe this season, premiering her drama, “Bring the Children Home,” described on the Kickstarter page as being about “people’s search for meaning and identity in a world gone crazy.” As faithfully committed as she is to integrity, when it comes to coping with social ills, she’s just as concerned about accountability, refusing to lay blame for the state of imperiled youth of color completely at the feet of racist cops and calls for communities to shoulder their share.
Maxwell Collyard, author of “Ferguson, USA” at the MN Fringe Festival, quotes James Baldwin, “Ask any Mexican, any Puerto Rican, any black man, any poor person — ask the wretched how they fare in the halls of justice, and then you will know, not whether or not the country is just, but whether or not it has any love for justice, or any concept of it. It is certain, in any case, that ignorance, allied with power, is the most ferocious enemy justice can have.”
Richard Pryor said the same thing more succinctly, “You come down to the jail looking for justice and that’s what you’ll find. Just us.” Whether you adhere to eloquent articulation or go in for a shoot from the hip quip, there’s no arguing against the significance of Collyard’s voice, a contemporary theater artist dramatizing the tragedy that resonated across the nation.